Keys Afternoon

By Carrie Jacobson

This is my first real time in Florida, and I’ve noticed some things.

The Atlantic is a different color here than in New England. Here, it varies tremendously, according to the light, the time of day and the weather, at least for starters. Often, it’s an amazing azure blue, like you see in the ads. In the day and a half I’ve been here, I’ve seen it green, turquoise, celadon, and the amazing and indescribable color you see from glacial runoff.

The water is saltier, too – or so it seemed this afternoon, when I dunked myself in. Yes, it’s November 14. So I had to go in!

It’s hard to remember what time of year it is. Everything is green. Flowers are blooming. If I lived here, I would lose track of everything. But in the stores, Christmas items are out, and in Homestead, the downtown Christmas tree was already decorated.

Far as I can tell, there are no Wal-Marts in the Keys.

Key West is like Newport with palm trees and mopeds. I drove in, drove around and drove out, happy to be away. I didn’t see Hemingway’s house.

I have seen at least five people who clearly just live outdoors.

In Sarasota, cows graze in fields across the six-lane street from Lowe’s and Applebee’s – and there are palm trees in the cow fields.

In the bathrooms, women apparently don’t squat above the seats. I have not encountered one wet seat, hallelujah.

People drive really, really fast here. I was in Sarasota for three days and saw four huge accidents. I’ve been in the Keys for a day and a half, and have seen two crashes that resulted in cars turned over on their roofs.

Here's my painting in the landscape

Dawn, Tuesday

By Carrie Jacobson

Here in Wachapreague, the sun comes up in a sky as clear as any I’ve ever seen, and fills the land with colors that sing and light that shines true and clear through air with no haze, no smog, no pollution. Whatever it touches springs to life with a sort of bright glory that I’ve only ever seen in the land around Wisdom, Montana.

I can’t count the opportunities that have passed me by. The doors that have closed behind me, never to open. The roads I didn’t take, the chances I failed to see.

As life goes on, these line up behind me, a trail of failures and misses and could-have — even, maybe, should-have — beens.

And yet, it seems, the right things have happened. All that has happened has brought Peter and me here, to a place where we are happy, a place where opportunity seems as wide as the sky and as bright as Tuesday’s rising sun.

Yes, I hear the echoes of those doors slamming shut, and yes, from time to time, I feel regret. But today, I turn ahead, and walk forward, and try, forever, not to look back.

Sunrise, Tuesday

By Carrie Jacobson

The sun is just up, and I’m facing a big day. A day with chores and duties and a lot of challenges – probably more than I can handle, and I know it, even this early.

It’s exciting, yes, and it is daunting, and as I close the laptop, I’m already thinking ahead, planning Chore No. 1 – gathering all six dogs, letting them out, herding them and shushing them in this early morning quiet.

I open the door of my boat-garage studio and head down, start toward the house. I am concentrating. Focusing. Planning.

And then the light catches my eye, and I look up – and everything changes. The chores recede. The challenges shrink. What must be done, what should be done, what demands attention, all that can wait. In this moment, there is nothing more than the clouds and the sun and the joy of being alive in a place like this, and in a life like this.

This little painting is a celebration of the simple beauty of the world, and a reminder to enjoy it.

Chores can always wait.

On Marlin Road

By Carrie Jacobson

A musing this morning as I look at this painting:

Where is greatness? What is the difference between mediocre and superb? Between success and getting by?

Is it a touch of salt, a dash of color, a stroke of genius – or is it just luck?

I’ve read that greatness always comes from discipline, and I am starting to believe it. Greatness is waiting there for all of us, at the intersection of chance and hard work. It will come to us, maybe in flashes, maybe in spans, but it will come – when the muscle we’ve been training does what it needs to do.

Greatness will come when the magic of inspiration meets the boundaries of skill, and each enriches the other.

Why is this painting so clearly better than that one? Both are done by the same hand, with the same colors, even sometimes on the same day… and yet, one soars and the other simply looks pretty.

It is one blur of green, twisting into the sky, one bit of color there by chance or by design – or there because, through hard work and constant striving, my hand and my eye knew it had to be there – even if my brain didn’t.

There is magic, yes. The muses sing, yes. But more and more, I believe, disciplined work is at the core of every success.

September Salt Marsh

By Carrie Jacobson

If my mother — Mary Ann Hook Cooper — were alive, this would have been her 85th birthday.

She’s been gone for six years now, but she’s with me, every day, every minute. She’s in the blood that runs through me. She’s in my long upper lip and my bad right foot. She’s in my taste for peanut butter, and she’s in my outlook and my optimism. My mother is in my love of color, my sense of adventure and my delight in laughter.

And she’s in my paintings. She is in the courage that it takes to start, and the tenacity it takes to keep going when – inevitably, in every painting – it looks like disaster is looming. She is in my love of the landscape and the creatures in it, in my love of color and movement and sense and sensation.

She is at my heart and in my soul, and she is in the heart and the soul of every painting I make.

Today, Mom, I miss you as I miss you every day. But today, more than anything, I celebrate you, and the beautiful, strong life you lived and which you shared with me.

Canton Sunflower Farm

This life offers some odd interactions.

I am painting on a recent morning, on the side of Route 44 in Canton (pronounced the Ohio way, not the China way), when a red truck pulls up.

The door opens, and out steps an old guy wearing a T-shirt and a sort of strange hat. He looks to be in his 80s.

He comes over to me, and peers around the easel.

He stares at the painting for a moment, then turns to me.

“Do you ever paint regular?” he asks.

***

This whole interchange got me thinking. What is regular for me is just not regular for everyone else – and vice versa.

It’s interesting to see painters at any show, side by each, selling their work. Interesting to see the approach, the technique, the framing – and the variety (or lack of variety) that each show’s jury selects.

At my most recent show, there was one abstract multimedia guy who made very long skinny pieces, like 36 inches by 4 inches. There was my friend Ronet Noe, who makes fabulous, colorful, whimsical paintings that often have areas of papier mache that are raised from the canvas. There was a guy who paints nautical scenes so gorgeous and so detailed that I wondered whether they were photographs (he was mean to me when I asked). And another guy who paints finely detailed but not completely realistic scenes. And then there was me.

There’s no measuring one against the other. No judging. It’s just interesting to see the variety. And I am always glad to be included, regular or not.

***

So what does the old guy mean?

He wants someone to paint a scene on a saw.

Guess it won’t be me.

Charlotte

By Carrie Jacobson

The Berkshires Arts Festival show, in Great Barrington, MA, was a total financial bust for me. Over three loooong days of the show, not one painting sold. Not One. Ouch.

But I met some delightful people, including jeweler Cynthia Battista, who makes fascinating pieces in different kinds of metal and stone (click here to check out her work at OldstoneStudio.net); printmaker Leslie Peebles, who makes fantastical prints of nature and animals (click here to check out lesliepeebles.com); and James Takaki, who makes metal garden ornaments in his Iron Arts studio in Vermont (click here to check out Ironartstudio.com). Click here for a video of James talking about what he did with a big bag of money he earned at a show in Montana.

And I got some insights, too. James thinks that shows like this one, outside of urban centers, are just on the skids. Cynthia characterized the (very few) people who came to this show as “Martha Stewart” types, who are clearly not looking for my rough, vivid paintings or her unique, strong pieces. Peter says it’s his theory that, at least in New England, the farther the show is from the coast, the less chance I have of selling.

I don’t have theories yet. I am listening, and watching, and thinking. Do you have a theory? I’d love to hear it!

Burton's Shore

By Carrie Jacobson

One of the reasons, I think, that Wachapreague and the surrounding areas on the eastern shore of Virginia are so beautiful and untouched is that there are really no beaches there.

Instead, there’s a gorgeous salt marsh that draws all sorts of birds, and deep inlets that are home to all sorts of sealife.

And there are barrier islands with beautiful, untrammeled beaches – but they’re out between the bay and the Atlantic.

I am thankful for this, much as I love beaches. It has kept the eastern shore from looking like Virginia Beach or the Outer Banks, or any of a thousand other seaside spots that have been built up and built up and overbuilt up.

Here and there, of course, there are strips of sand, small beaches – like this one, on Burton’s Bay. It is lovely, and filled with fiddler crabs. One of these days, I’ll go swimming there. This time, I just painted.

***

If  you’re looking for something to do this weekend, you might consider taking a drive to check out the Mt. Gretna Outdoor Art Festival, in Mt. Gretna, PA.  It is supposed to be an excellent show – I will report about it on my blog, The Accidental Artist, if you want to know how it came out…

Wednesday Morning Salt Marsh

By Carrie Jacobson

While the house is still a chaotic disaster, we are pretty much all moved, so breathe a big sigh of relief, and raise a cheer, and let me know if you need anything.

Table lamps? We seems to have six extra ones.

Nice drapey clothes that look good at work and are still comfortable? Finally, I am ready to let them go.

And if there’s anyone out there who needs plastic containers, kosher salt or throw rugs, drop me a line.

This morning, instead of unpacking, I went down the street and painted.  It’s so beautiful here in Wachapreague, it makes my heart ache. Even on a gray old Wednesday morning, with nothing spectacular happening, no special sky, no amazing sunrise, this is still one of the loveliest places on earth.

And it is quiet. Except for the sound of the gulls, there was no noise. You hear no traffic, no trains, not even anything off in the distance. It is quieter in Wachapreague than it was in Bolster’s Mills, Maine.

Yes, moving was tough, but it was worth it to end up here.

***

If you’re in Connecticut this weekend, stop by the Mystic Outdoor Art Festival! It’s an excellent and big show, with high-quality work – and it’s fun. Mystic is great for a weekend outing, too, as the Mystic Seaport, Mystic Aquarium and Olde Mystic Village shopping center are all there. Mystic is also just a stone’s throw from the Rhode Island beaches, some of the best in New England.

If you go to the show, please stop by my booth and say hello. I’ll be at the corner of Willow and Main, across from the post office and near the bagel place.

Harley

By Carrie Jacobson

Here are a few things I have learned while moving:

1. If at all possible, do not have an art studio on the second floor of a building. It’s nice to feel closer to the sky, but it’s really very much not nice to move All That Crap down several flights of steps.

2. If at all possible, do not be married to someone with ADD when you move. That person will simply not see that a closet is full of stuff, or that the basement is really nowhere near empty, or that, oh, yeah, I guess I did leave some of my fly-tying materials behind.

3. If at all possible, do not run your well nearly out of water while attempting to shock it to improve the water test you need to pass to actually close on the sale of the house. Especially do not do this during a drought.

4. If at all possible, do not schedule an art show in the middle of your move.

5. If at all possible, do not move in the middle of a sweltering summer.

6. If at all possible, just burn everything you own. Then move.

Want a portrait of your pet? It will look great in your home! Pet portraits make excellent presents, too … email me at carrieBjacobson@gmail.com for details.